To paraphrase MacArthur Genius Chimamanda Ngozi Adichie, “We Should All Be Sweet Charity Stans.”
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I delved deep into stan territory with the Halston actor about what makes Minnelli a popular culture legend.
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I spoke with Andy Señor Jr., an early ‘Angel’ replacement in Rent, about bringing the musical to his Cuban homeland.
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Ellen Greene scream-singing in this Little Shop of Horrors medley is glorious.
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Eleanor Burgess talks me through adapting The Niceties for a digital production.
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The Drama Book Shop—a storied purveyor of scripts and other theatre-related products— opened its doors in a new location on West 39th Street.
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I caught up with the Broadway legend to talk about her career, and why she thinks the film is a landmark for movie musicals and Latinx representation.
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Orville Peck released a cover of Lady Gaga’s “Born This Way (The Country Road Version)”. Once more, in case you missed it: Orville Peck released a cover of Lady Gaga’s “Born This Way (The Country Road Version)”.
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Persou has the enjoyable edge of being one of the first in-person, immersive live productions happening in New York, but none of the Greek catharsis it promises.
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Like a mistake that nine months later turns into a beloved, if troublesome, child, CRUELLA is a welcome addition to the landscape.
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Marquee Digital––a paperless alternative to print theatre programs––has the potential to revolutionize the way we engage with the performing arts.
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While the rest of the world throws open its doors, Amazon has decided to shut us out of what could have been the glitziest, most high-energy screenings of the fall.
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